On the 8th (Friday) there was such an excited atmosphere, and for a very good reason. Well, four very good reasons, to be precise. THE BIG FOUR OF THRASH METAL. Anthrax, Megadeth, Slayer and Metallica all on in one evening. This was one of Sonisphere 2011's main selling points, and after watching all of these bands it was obvious why. The legendary Diamond Head, who inspired such bands as Megadeth and Metallica, were on first and they were a fantastic band to start Sonisphere 2011, setting the perfect atmosphere for a weekend of rock and metal. Nick Tart was an amazing front man, and they played a short set of around six songs, including 'Give It To Me', 'Helpless' and of course, the amazing anthem 'Am I Evil?', which would also be played for a second time later on in the evening, but obtaining a few more musicians... They appealed to the whole audience and they did not disappoint as they put on a fantastic show. The next band on were Anthrax and their first song describes how their set was spent for the crowd; 'Caught in a Mosh'. They played other classics, such as 'Madhouse' and 'Indians' and even though Scott Ian's prescence was missed, Andreas Kisser (Sepultura) kept the Anthrax spirit alive and kicking. Megadeth were the next band on, and their performance was so powerful; it turned former Megadeth haters into fans instantly. They played songs such as 'In My Darkest Hour' (my personal favourite), 'Sweating Bullets' and 'A Tout Le Monde'. Dave Mustaine seemed genuinely astounded by the warm reception from the audience, and he revealed the name of the new Megadeth album; 'Thirteen'. After hearing bad reviews of Slayer live before I wasn't sure what to expect from them, but I believe they played a brilliant set with a good mix of songs that appealed to everyone. They really got the crowd going and the atmosphere for 'Raining Blood' and 'Angel of Death' was incredible, and pretty brutal! The next band on was of course Metallica. Love them or hate them, one thing is for sure; you can't deny they put on an incredible live show. They played for around two and a half hours, but every song they played was received well and there was a feeling of unity amongst every metal fan in the crowd. Robert Trujullo is an incredible bassist and I cannot think of a single fault with Metallica's performance. The big four jam was one of the most amazing things I have ever seen at a concert. Diamond Head, Anthrax, Megadeth, Slayer and Metallica all uniting together to perform 'Am I Evil?' The sight on stage was incredible, and even though Lars Ulrich was worried about how it wasn't going to stay together, it was a perfect collaboration that demonstrated how incredible the metal genre is and why exactly they're referred to as 'The Big Four'. Also, any tension between Metallica and Megadeth seems to have disappeared; which was demonstrated in a long hug between James Hetfield and Dave Mustaine. All in all, Friday was one amazing night for metal and I'm so happy to have been there to have witnessed such an amazing concert.
Sylosis were the first band I saw on Saturday (nothing beats watching a metal show at 11am!). Although I had not heard much of their music before I was very impressed by them and thoroughly enjoyed their set. The band seemed surprised at how many people had gathered to see them so early, but it was definitely worth it. 'Reflections Through the Fire' seemed to be a crowd favourite and Sylosis started Saturday off wonderfully. The next band I witness was Architects. Having seen them before I knew what to expect; good music made even better with Sam Carter's amazing voice. I was at the barriers for them, which was a bad idea due to all of the crowd surfing, which seemed to be widely encouraged. Although there seemed to be a smaller crowd as they aren't as 'metal' as some of the bands who played Sonisphere, whoever didn't see them missed out on an amazing set and as soon as the riff for 'Day In Day Out' started the crowd went insane. 'Heartburn' was played beautifully and proved they could play a wide variety of songs and still sound perfect. Gallows were intense, as always. Frank Carter is such an amazing front man with so much energy, and he knows exactly how to make the crowd go mental. The circle pit was one of the largest I've seen at a festival and 'Orchestra of Wolves' seemed to be the biggest crowd pleaser. However, when Frank Carter announced he was leaving I couldn't believe my ears (although I wish him the best of luck in whatever he does in the future, and I'm sure Wade MacNeil be an equally-capable new singer). The next band I saw was Cavalera Conspiracy and there was no denying that they brought a completely different element to the metal genre and they were fascinating to watch. Max Cavalera has an extremely distinctive voice which sounded so raw and passionate live. The band played together perfectly and when 'Roots, Bloody Roots' started the excitement from everyone in the crowd was evident; Cavalera Conspiracy were back and even better than before. The next few bands I watched seemed to be disregarded by most people at Sonisphere, but I think they are incredible and deserve a lot more recognition for what they do (and that people should give different bands a chance at festivals... after all, isn't that what it's about, finding new bands to listen to?). Kids in Glass Houses were the next band that played, and contradictory to belief they had mosh pits, crowd surfing and Aled Phillips even jumped into the crowd! 'Saturday' was their best song live and they seemed to be a happy-go-lucky band who knew what the crowd wanted and how to give it to them. However, I will admit I'm not a big fan of their new direction in music, but 'Animals' sounds a lot better live than on recording! The one band I was disappointed with at Sonisphere was Sum 41; I was expecting a much more exciting set and they came on really late. Although it brought back childhood memories hearing such songs as 'In Too Deep' and 'Fat Lip' they just didn't seem to live up to their standard and their value was mostly nostalgic, not for the music. The next band I witnessed were You Me at Six. From the second Josh Franceschi stepped on stage the rock/pop-punk began and they proved their critics wrong; they are musically talented and a fantastic live act. They played new songs such as 'Underdog' and 'The Consequence', but they played fan favourites including 'Kiss and Tell' and (of course) 'Save it for the Bedroom'. They demanded circle pits and although they didn't get the size they wanted it was obvious everyone had a great time and they were one of my favourite bands that I saw throughout the weekend. The next band I saw was All Time Low, and by now the rain was pouring down pretty heavily. Although I do like All Time Low they didn't perform as well as I'd seen them before and it was fairly obvious they couldn't handle the main stage at a festival. 'Do You Want Me (Dead?) was performed well, however it was slightly ruined by the newly-found arrogance of Jack and Alex who just talked about having an 'after party in their tent' and after a few songs I decided to go and watch Periphery instead, and what a fantastic idea it was! I was recently introduced to Periphery and the djent genre and instantly fell in love. Periphery are an extremely underrated band who deserve to make it big; Spencer Sotelo has a perfect singing voice and his screams are incredible. 'Icarus Lives' and 'Jetpacks Was Yes' were incredible to hear live and the guitar parts were intense. Seeing Periphery play a tiny tent was one of the best parts of Sonisphere and I can see them becoming extremely popular soon; watch out for them! Weezer were a nice change to watch afterwards and their cover of 'Teenage Dirtbag' (originally by Wheatus) was pretty good and a lot of fun to listen to. Biffy Clyro were the head-liners on Saturday night and although many didn't approve (I lost count of the times I heard 'That is not metal!') they played a beautiful set and proved they were a lot more than 'that band that originally sang that X-Factor song'. They played a wonderfully varied set, including the strange 'Born on a Horse', the dramatic 'Living is a Problem Because Everything Dies' and the beautiful 'Many of Horror'. Simon Neil's wonderful Scottish voice was received well and they performed a lot better than I expected.
Sunday was another early morning start (very bad with a hangover, but metal, Red Bull and a bacon sandwich was the perfect cure!), but this time for Volbeat. Volbeat are a Danish metal band who seemed to have a huge following, and with such a distinctive sound I'm not surprised. 'The Mirror and the Ripper' was their best song and demonstrated what they were about perfectly; well-timed drumming, catchy riffs and an amazingly strong singing voice. They even performed a Dusty Springfield cover, which sounded incredible. Black Tide were the next band I watched, who I've seen quite a few times over the past few years, and it was amazing to see how far they've progressed. Although they have taken a new musical style which some may not approve, there's no denying they're extremely talented for their age and will no doubt become even stronger as they progress. Arch Enemy performed with such passion, and Angela Gossow has to be one of the most respected females in the metal genre. Her growling style is unique and I admire how well she performed, especially as they apparently had no sleep due to constant travelling across Europe. House of Pain brought hip hop to Sonisphere and their iconic performance of 'Jump Around' will forever be remembered fondly. Parkway Drive; well, where to start? They are an amazing Australian metalcore band and their live performances are always astounding. Winston McCall's voice is so passionate and incredible, and the band work so well together. They even had inflatable waves on stage and their was a crowdsurfing race amongst the crowd in boats. 'Boneyards' was a crowd-pleaser and the breakdown was intense ('there's blood in the WATER!'). 'Carrion' finished their set perfectly and if you ever get the chance to see Parkway Drive live I would highly recommend it; you won't be disappointed. The two minutes silence for Paul Gray is a moment that will stay with me forever. It was so emotional and a perfect tribute, and I will admit I was a bit teary-eyed when Paul's jumpsuit was on stage. After talks of people planning to ruin it I'm so glad no one did and it proves how respectful the metal community can be. Mastodon were impressive live and although they may not be to everyone's taste, 'Colony of Birchmen' was particularly amazing live. Opeth were one of the bands I expected the least from, but I was pleasantly surprised by their set. Their melodic guitar sound and beautiful singing increased my respect for them and although they didn't play many songs they were one of my favourite bands live and I'd love to see them play for longer; they deserved a much longer set. Limp Bizkit lived up to their lively reputation and Fred Durst even admitted they had no setlist and welcomed the crowd to shout requests. 'Break Stuff' has to be one of the best festival anthems and 'Hot Dog' was a fantastic opening song to set the mood. Their cover of George Micheal's 'Faith' was amusing and 'Rollin' made the crowd go wild. Slipknot were the last band on, and they were definitely worth the wait. Slipknot have built up a reputation for being an incredible live band and anyone who has seen them will certainly agree. I was pleasantly surprised with the amount of older songs played, such as 'Liberate', 'Purity' and 'Only One'. The pits were intense and I've never been in such a brutal moshpit. The atmosphere was incredible and the amount of people in the crowd was astounding; it is obvious how well-respected Slipknot are. Corey Taylor is the best front man I have ever seen and his voice is so beautiful. The iconic 'jump the fuck up' during 'Spit it Out' was intense and even though it was pouring down with rain everyone adhered to it and it was an amazing moment. Sid's jump into the crowd was astounding to watch and Slipknot never fail to disappoint with their on-stage antics. The tribute to Paul Gray at the end was amazingly beautiful and when Joey hugged Paul's jumpsuit I couldn't stop the tears; it was such a sad loss of life and talent, and it is obvious how badly affected the band members are by the loss of their brother.
All in all, I had a fantastic weekend; bring on Sonisphere 2012!
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