'.5: The Gray Chapter' Slipknot Album Review

Label: Roadrunner Records
Release Date: 20th October 2014

After six years, Slipknot are finally back with their new album. Throughout their career Slipknot have changed their musical style quite a few times, with many saying that their music is becoming more like rock music, especially when compared with the heaviness of their first album in 1999. So is this more like a Stone Sour album, or are the mighty Iowa group back with a vengeance?

Opening track ‘XIX’ instantly draws focus to the dark and ominous tone of the album, which is emphasised further by lead singer Corey’s harrowing vocals. After years of mourning Paul Gray’s death, line up changes and scandals, it’s clear that ‘The Gray Chapter’ is a source of catharsis for both the members and fans.

‘Sarcastrophe’ is a sophisticated blur of brooding guitar riffs, heavy drum tracks and angry lyrics. One of the main things that is clear on this album is that DJ Sid Wilson has both progressed and had much more of an impact on the songs, using various samples and techniques to set Slipknot apart from other metal bands.

One of the most confusing songs is ‘AOV’, which features almost rap-like vocals, melodic singing and shouting. Surprisingly enough it works, which proves that whether you love them or hate them, Slipknot aren’t afraid to merge different styles and genres.

Despite being played multiple times in the promotion of the album, ‘The Devil In I’ remains one of the best songs on the album, full of anger and ever-changing riffs. If you want a snapshot of what the album will be like, then this is the track you need to listen to.

Frantic, unique and crazy: that describes both Slipknot as a band and the song ‘Skeptic’. It’s refreshing to hear songs which sound fresh and different, rather than the same old metal songs which are rehearsed over and over again by bands worldwide. Although Slipknot get criticised for some songs not being ‘heavy’ enough, at least every track has a different vibe and they aren’t repetitive at all.

If there’s one song that you should be excited to hear live from this new album, then it should be ‘Custer’. It’s exciting, it’s fast-paced and it makes you want to move. A lot. Corey’s vocals are at his best: his angry screaming and pissed-off lyrics bring Slipknot back to their finest hour.

If you want to hear that every song on ‘The Gray Chapter’ is heavy and similar to ‘Iowa’, then this album isn’t for you. Likewise, if you’re expecting a Stone Sour album, then you won’t like this. However, if you can listen to this album with an open mind and enjoy both heavy metal and rock, then this is definitely for you. Slipknot have progressed so much throughout their career, and the success of this album just goes to show that they can overcome anything.

Rating: 9/10

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Corey Taylor at Download Festival 9/6/12

Corey Taylor is an amazingly versatile musician; famous for screaming in Slipknot, singing in Stone Sour, and more recently in the past year, playing intimate acoustic solo shows. Opening with ‘Bother’, originally a Stone Sour song, he amazed the crowd with his beautiful voice and guitar skills. He played an acoustic version of Slipknot’s ‘Spit It Out’, which actually sounded great, and instead of asking people to sit on the ground then jump up, as he does when he plays the song with Slipknot, he asked everyone to hop on one leg, causing great amusement to the crowd. He debuted a song from the new Stone Sour album, saying it was the first time it had been played live, which was called ‘Taciturn’ and proved Stone Sour are going to be back and better than ever. After playing songs by his two bands, he proceeded to play covers of his favourite songs, including a flawless version of Pink Floyd’s ‘Comfortably Numb’. Lzzy Hale of Halestorm joined Corey on stage for a mind-blowing performance of AC/DC’s ‘You Shook Me All Night Long’. Lzzy’s voice was raw and powerful, matching Corey’s perfectly. Ending with ‘Outsider’ by The Ramones, Corey Taylor proved in this amazing but short set what an incredible musician he is, and how we should definitely keep a look out for many more exciting things to come.

Corey Taylor at the HMV Institute, 13th July 2011

On the 13th July 2011 I was lucky enough to see my favourite musician, Corey Taylor, perform an exclusive concert at the HMV Institute in Birmingham. Before the concert I went to his book signing at Waterstones for his book 'Seven Deadly Sins' and I was able to meet the man himself. He was lovely and truly listened to what I had to say and appreciated my support. He is a truly amazing man and I have the greatest respect for him.

The concert started with a brief introduction from Corey Taylor, and he then read part of a chapter from his book, 'Seven Deadly Sins'. It was amazing to listen to the book being read aloud by the author himself, and further emphasised the unique perspective Corey has on life due to his wide range of experiences. His accent is beautiful and he put on an incredible performance.

After reading a section of his book, Corey had a 'question and answer session', in which the crowd were welcome to ask any questions they had for the Slipknot and Stone Sour front man. One heartfelt moment was when someone asked about his favourite memory of Paul (Gray, bassist of Slipknot who passed away last year) and he descended into a story about them going to 'Disney World' and him scaring Paul on the roller-coasters when he was already terrified (and the thought of Slipknot at such a place seemed rather amusing). After he had finished informing us of his memories of the amazingly talented bassist, a crowd chant of 'Paul Gray' started and Corey started crying and thanked everyone for their support during such a hard time. The future of Slipknot was also questioned, to which he answered that he hadn't healed after the death of his brother and that is was unable to think so far ahead into the future. He was also questioned about his different attitudes towards music whilst in Stone Sour and Slipknot, to which he replied 'When I write a song I can just tell which band it is for...Snuff was always going to be a Slipknot song and 30/30 150 was always going to be  for Stone Sour'. The true meaning of '30/30 150' was revealed; contrast to popular belief it is not about a gun, it was Corey's measurements in high school. 

After a short break Corey came back on stage accompanied with an acoustic guitar. He performed his beautiful version of 'Wicked Game' (originally by Chris Isaak), 'Jolene' (originally by Ray LaMontage) and even 'Nutshell' (originally by Alice in Chains). As he was in Birmingham he decided to cover 'Paranoid' by Black Sabbath, which was very interesting and very different to the original. He played 'Bother' by his band Stone Sour which was incredibly heartfelt and an emotional song that suited Corey's voice perfectly. His cover of 'Freebird' by Lynyrd Skynyrd was astounding and was probably my favourite song of the night; it was just so passionate. Corey brought his son on stage and even sang a cover of the 'Spongebob Squarepants' theme song, which was very amusing and showed he had a good sense of humour. His acoustic version of 'Spit it Out' (by his band Slipknot) was amazing; who knew metal could sound so good acoustic?  His cover of Pearl Jam's 'Black' was incredible and it became obvious throughout the night what bands inspired him and who he admired. He ended the concert with a cover of 'Everlong' by Foo Fighters, which was beautifully calm and emotional. 

All in all, it was a fantastic night and I've gained even more respect for Corey Taylor.